When it comes to price, both of these lenses are popular budget options for cinema lenses. We compared the Laowa 12mm lens to the DZOFilm lens as they are both low-cost, smaller cinema lenses however, we did note a number of differences. We think it could also be used even with other sets where a wide-angle lens is needed. DZOFilm Vespid lenses are known for their more vintage character, and this 16mm will make a nice addition to the set. It rendered skin tones nicely and we especially liked it paired with our Alexa Mini. The lens has quite a cinematic look and was sharper than we were expecting. What we noticed in our test is that the DZOFilm Vespid 16mm lens has very round and concentrated bokeh at a higher aperture, and then star-like bokeh at a smaller aperture. The DZOFilm Vespid 16mm lens shooting full frame (above) compared to how it looks on Super 35mm sensors (below) T he mounts are also swappable, which is a useful feature if you’re using a variety of different cameras. It also comes with two mount options: Canon EF or ARRI PL. This allows it to be used on full frame cameras like the ARRI Alexa Mini LF, C anon C500 Mark II, Sony Fx9, Sony a7SIII, as well as Super 35mm sensors. Full Frame CoverageĪnother unique aspect of the lens is that it covers large format sensors. Its size and weight make it a versatile option for cinematographers looking to get into cinema lenses. The DZOFilm Vespid 16mm prime lens is also very light for a cinema lens: about 2 pounds. The size also allows for cinematographers to fit into smaller spaces and more cramped conditions that may have been harder with more traditional cinema lenses. The DZOFilm Vespid 16mm is a very small lens at only 3.4 inches in length, which makes it useful for smaller camera setups and gimbals, drones, or handheld camera work. Shot on the DZOFilm Vespid 16mm lens for our episode’s short film Size At a fraction of the cost of some other cinema lenses, you can have a very capable lens that has a beautiful look. What’s nice about the DZOFilm lens is that most importantly, it’s very cost effective, especially as a cinema lens. We have previously reviewed the Laowa 12mm T/2.9 Zero-D cine lens as well, so check that out if you are so inclined. In addition to that, we also shot a fun short film entirely with the DZOFilm 16mm lens and it turned out pretty snazzy! We tested them in focus breathing, bokeh, close focus, lens flares, and sharpness. T o buy the DZOFilm Vespid 16mm lens or get a full kit use these links:įor our lens test and review, we compared the DZOFilm Vespid 16mm lens to the Laowa 12mm, and the Cooke S4 14mm. Screengrab from our short film taken with the DZOFilm Vespid 16mm lens In addition to comparing the DZOFilm Vespid 16mm lens in tests, we also used it to shoot a quick short film using just this lens, and we were impressed with the results! Check out our video to see the short we filmed. So how does this 16mm Vespid compare? Can a lens that is only $1799 stand up against cinema lenses that cost thousands of dollars more? Check out our review to see how the DZOFilm Vespid 16mm performs compared to some other popular cinema lenses. Let’s take a closer look!Īs cinema lenses, the DZOFilm Vespids are considered a budget option, but they also offer incredible value. And, the Film Jams team was lucky to get one of the very first 16mm lenses off the supply chain. (To quote Alanis Morissette: “It’s like 10,000 spoons and all ya need is a wide angle lens”). The 16mm now has filled out the wide end to complete our set. This week on Film Jams, we’re tackling a DZOFilm Vespid 16mm lens review! We’ve been big fans of the DZOFilm Vespid prime lenses but the set had been missing a wide angle.
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